Welcome to New York Budokai
At this dojo (school) we study iaido (居合道 pronounced e-i-do). Popularly known as "the art of drawing the sword". These teachings have evolved from the warrior class know as samurai. Developed by Hayashizake Jinsuke Shigenobu in the late 16th Century after Japan was unified under the Shogun Tokugawa Ieyasu. The basic principal involves controlled, precise movements of drawing the sword from it’s scabbard (saya), striking or cutting an opponent, removing blood from the blade (chuburi), and then replacing the sword in the scabbard (noto).
Iaido teaches the use of actual metal weaponry, these techniques are real (this is not a sport). These techniques are taught through forms (kata). We also have partner practice or sparring (kumadachi), where we use wooden swords (bokken). All students use an unsharpened sword (iaito) for safety reasons. We also practice cutting bamboo mats (tameshigiri), for this we use real sharpened swords (shinken) under very close supervision.
New York Budokai's curriculum has been primarily focused upon Ryushin Shouchi Ryu since 2006 under the guidance of Soke Kunikazu Yahagi. The curriculum includes kata, kumidachi (as well as bogu practice) and tameshigiri. For more information about our curriculum, click here.
The history of Ryushin Shouchi Ryu (RSR) derives from the ancient sword style which originated in central Japan (Kanto region) and branched out to the southern island of Kyushu and other provinces. The current RSR curriculum consists of some 60 formulations of iai movements/techniques (kata); duel practice with both partners using wooden swords (bokuto) or iai swords (iaito); or duel practice with one partner using a long sword and another using a short sword. The RSR practice is based on, and still reflects, the ways of swordsmanship that were developed several hundred years ago. It is extremely difficult to pass on these skills accurately, since much time has gone by, but the RSR maintains the essence of the old style – as it was wielded by those who fought with swords in the times of war and revolution.
The current headquarters of Ryushin Shouchi Ryu (formerly Ryushin Jigen Ryu) was established by the first headmaster, Terutaka Kawabata, who was given hidden formulas of ancient swordsmanship at the Shobu-kan Dojo in Asakusa, Tokyo, in the 1940s. Since then, Headmaster Kawabata has devoted his time not only to further his own skills but to teach iai in Japan and overseas, including in the US, Hungary, and Austria. In 2006, Headmaster Kawabata established Ryushin Jigen Ryu and opened its first school (dojo). In 2008, his disciple Kunikazu Yahagi became the second and current headmaster of Ryushin Jigen Ryu. In 2011, Ryshin Jigen Ryu changed its name to Ryushin Shouchi Ryu to clarify its emphasis on training – of both mind and body – through the practice of iai: Ryushin Shouchi means “let your mind and body be strong and flexible, like willow that does not lose its green leaves even in the midst of winter; lead with steady mind and unfettered wisdom and help the world”.
The forms transmitted by this style distill the wisdom, discipline and determination of a great many masters and accomplished men over hundreds of years, and it has been both extremely challenging and vitally important to transmit these forms correctly generation after generation.
Fortunately, in the forms of this style transmitted by President Kawabata and Yahagi Soke, their ancient content has been preserved, closely resembling the fighting techniques of the samurai – from the period of Warring States through the end of the Tokugawa Shogunate.
Original writing by Stanley Chin (Interview and collaboration with Phil Ortiz. Research material from Yoshiteru Otani’s personal archive. Edited by Charlotte Colavin.)
New York Budokai was founded by Sensei Yoshiteru Otani as New York Iaikai in the early 1960ʼs. Otani Sensei had arrived in the United States from Osaka, Japan in 1954. He came from a Samurai lineage to this country as a highly skilled Iaido practitioner (Art of the Japanese Sword). In addition he made an extensive study of Zen philosophy.
At the time of Senseiʼs arrival, the United States was being introduced to the philosophy of the Samurai, through several ﬁlms which explored the art of the Japanese sword. The 1954 Seven Samurai, directed by Akira Kurosawa and the 1955 Samurai 1: Musashi Miyamoto directed by Hiroshi Inaki. The ﬁlms contained powerful cinematic scenes that moved many to seek out the philosophy of the Samurai and to become interested in the sheer beauty of the art of the Samurai sword – Iaido. The popularity of these ﬁlms paved the way for Otani Sensei to become the pioneer Iaido Instructor on the East Coast.
In 1963 he began teaching Judo (which was already popular in the US) at the McBurney YMCA in NYC, his true mission was to introduce Iaido and Zen philosophy. In the late 1960ʼs he gave a lecture/demonstration called “Zen Philosophy and The Samurai Spirit”. The WAY OF THE SWORD was launched in New York City.
In the early 70ʼs, Otani Sensei joined a group of elite martial arts instructors to form The Japan Cultural Center known as the “largest martial arts school in the USA”. Three ﬂoors of Japanese masters. Judo: Sadaki Nakabayashi – 9th degree; Karate: Shigeru Numano – 5th degree (East coast Karate champion); Kempo: Masami Kudo – 4th degree; Kendo and Iaido: Yoshiteru Otani – 7th degree Kendo, 8th degree Iaido.
A few years later Otani Sensei left The Japan Cultural Center to form his own dojo, New York Iaikai teaching Muso Shinden Ryu Iaido (live blade), Kendo (bamboo shinai) and Shindo Muso Ryu Jodo (short staff). Among his early students was Tom Dreitlein (Ajo) and Phil Ortiz, the present head instructor of New York Budokai. Tom, along with being a ﬁne practitioner also documented the Zen theory and philosophy and transcribed Japanese texts for the dojo. He also wrote the ofﬁcial New York Iaikai dojo manual; An Introduction to the Technique and Principle of Japanese Fencing. (copyright 1978).
Otani Sensei led New York Iaikai members to demonstrations all over the East coast. Among the highlights was an exhibition for faculty and cadets at West Point Academy in 1978 during which Sensei addressed a 4,500 seat audience. The lecture/demonstration was enthusiastically received. Later that year, Otani Sensei brought Takeshi Mitsuzuka Sensei over from Japan for a seminar in Muso Shinden Ryu, Kendo and Jodo. And in 1982 Sensei sponsored Dr. Masaaki Hatsumi who was Soke of Togakure Ryu Ninjitsu. New York Iaikai members had the privilege of studying with him. Terutaka Kawabata Sensei a very high-ranking practitioner of Tenshinsho Jigen Ryu and good friend of Otani Sensei also held a seminar for New York Iaikai members.
By the later 1980ʼs Otani Sensei traveled to Japan extensively and New York Iaikai was led by senior teachers including Charles Boleware and Phil Ortiz in Iaido, Frank Lisi in Kobudo, Aramaki Tomoyuki (all Japan Kendo champion) in Kendo. Otani Sensei would come regularly to teach and also to lecture on Samurai history, Zen philosophy and Bushido. One of his most consistent lessons was, “We should live everyday as if it was our last. So everyday we should help someone. When you do “Shohatto”, it should be your best as if this day will be your last.” He taught the Samurai spirit. He stressed courage “to confront your opponent with no fear. If you can face a ﬁerce opponent with a razor sharp sword, you could confront your fears in other areas with composure and a relaxed state of mind.”
Phil Ortiz joined Iaikai in 1973 and when Otani Sensei retired from actively teaching in 1990 he became Head Instructor. Phil Ortiz Sensei is in direct lineage of Otani Sensei being one of his original and most gifted students as demonstrated by an event in which Phil Sensei was promoted by Otani Sensei who had requested that Phil and Charles Boleware do “Irohauchi” (a kumitachi involving cuts and blocks that increase in speed) . The speed and accuracy of which their bokkens hit each other created a sound similar to that of an airplane propeller and produced a smell of burning wood. Otani Sensei was so impressed that he took off his own “red belt” and gave it to Phil. He was promoted on the spot to 7th dan.
New York Iaikai changed its name to New York Budokai. The location of the dojo has changed over the years from Rhodes Fencing Academy on East 86th St., to Paul Sanasardo Studios on 21st St., to Finis Jung Studio on Upper Broadway, to NY Spaces on W. 55th and is currently located at Ripley Grier on 8th Avenue near 36th Street.
In 2004 Yoshiteru Otani Sensei passed away. In 2006 Terukata Kawabata Soke retired. New York Budokai is now under the tutelege of Yahagi Kunikazu Soke in Japan (direct lineage from Kawabata Sensei). New York Budokai, under the leadership of Phil Ortiz Sensei, has an active relationship with Yahagi Soke sponsoring him for trips and workshops here in the United States and traveling to Japan to study with him there. New York Budokai is also a member of Ryushin Shouchi USA, which includes dojos in New Jersey, Queens, Long Island and Florida with members as far away as California.
56 years ago Sensei Yoshiteru Otani came to this country and introduced it to Iaido and The Moving Zen. His students from New York Budokai will continue to honor his spirit and mission of keeping Iaido alive by teaching “the art of the sword that gives life.”
New York Budokai is not a commercial dojo, but a membership organization. None of the instructors are paid to teach or manage the Dojo. Testing fees are through the Honbu in Japan and the dues collected each month cover the minimum expenses to rent a practice space, buy equipment, print our manual and hold seminars. Even though our dojo might not be the most glamorous it does reinforce the dedication of the students and instructors who practice here.